‘The Conversion of Saint Paul’ is one of two paintings by Caravaggio (1573 – 1610) which was part of a prestigious commission for the Cerasi chapel in Santa del Popolo which is situated in one of Rome’s most beautiful squares. It is not specifically documented until The one most people are familiar with is the one that’s dominated almost entirely by the stricken saint’s horse. Nevertheless, most scholars are satisfied that this is the first version of the Conversion of Paul. Last one . raised about this picture, the brilliant/attura is undeniably worthy of Caravaggio himself; virtuoso details such as the helmet or the old soldier's sleeve require a hand as skilled as his. He placed Paul on his back in a pool of light, just after having been struck from his horse by a divine thunderbolt. One of two known paintings by Caravaggio on the subject of the conversion of St Paul (or Saul). Caravaggio the Conversion of St. Paul. Mancini was that close, The Decapitation of Saint John the Baptist, The Decapitation of Saint John the Baptist, 1607, Salome with the Head of John the Baptist, 1607. dramatic, even terrifying, divine intervention in the affairs of man, manifest to Saul and his companions by the appearance of Christ in the heavens. That one is in the Cerasi … The first version of this piece is not only in an extremely different style, but the portrayal of the subject and figures in the piece are completely different in the two versions. Conversion of St. Paul Artist Caravaggio Year 1600/1601 Medium Oil on cypress wood Location Odescalchi Balbi Collection, Rome Dimensions 93 in × 74 in 237 cm × 189 cm Famous Paintings by Caravaggio David with the Head of Goliath Medusa Bacchus Conversion of St. Paul Ecce Homo Narcissus Judith Beheading Holofernes Supper At Emmaus Sacrifice The Conversion of Saint Paul The Conversion of St Paul Michelangelo Caravaggio received a commission to create two paintings for the Cerasi Chapel in Santa Maria del … be exceptional in Caravaggio's oeuvre, but correct for the painting if it were installed on the right wall of the chapel. The Conversion of Saint Paul, Caravaggio, c. January 1600. The Original Size is 237 cm height x 189 cm width. Saul was on his way to Damascus, to destroy the Christian community in that city. Painting Conversion On The Way To Damascus Caravaggio … Across the chapel is a second Caravaggio depicting the Crucifixion of Saint Peter. Caravaggio Print (The Conversion of Saint Paul - Plate F2). The scenes from the life of St Matthew in Rome’s San Luigi Francesi made Caravaggio famous. It would be his first important job. This article is about the painting by Caravaggio now in the Odescalchi Balbi Collection of Rome. Several modern commentators (including John Gash[1] and Peter Robb[2]) have questioned whether the rejection of the first versions of Caravaggio's two paintings was quite so straightforward as the record makes it seem, and speculate that Cardinal Sannessio may have seized the opportunity of Cerasi's unexpected death on 3 May 1601 to, in effect, seize the paintings. A rearing horse and an alarmed soldier are customary; the pose of Saul's body side of the final version of The Martyrdom of Saint Matthew, which should have immediately preceded it chronologically. The painting records the moment when Saul of Tarsus, on his way to Damascus to annihilate the Christian community there, is struck blind by a brilliant light and hears the voice of Christ saying, "Saul, Saul, why persecutest thou me?...And they that were with me saw indeed the light, and were afraid, but they heard not the voice..." (Acts 22:6-11). The Conversion of Saint Paul (or Conversion of Saul), by the Italian painter Caravaggio, is housed in the Odescalchi Balbi Collection of Rome. Traditionally painters have represented this scene as a The message is conveyed eloquently by The dates of completion and rejection are determined from the death of Cerasi in May 1601. March 20, 2016 Scala / Art Resource, NY Michelangelo Merisi da Caravaggio (1571–1610) painted The Conversion of St. Paul to be paired with Crucifixion of St. Peter and to establish a theme of suffering in the private chapel of Monsignor Tiberio Cerasi, treasurer general under Pope Clement VIII, in Santa Maria del Popolo in Rome. The other also dates from c. 1601. and his only relevant comment is that Cardinal Sannesio owned pictures that were "copied and retouched" from those now in the chapel, a description surely not applicable to this painting. Baglione states that the first versions of both paintings were taken by Cardinal Giacomo Sannessio, but another early writer, Giulio Mancini, says that Sannessio's paintings were copies. Along with The Crucifixion of Saint Peter, it was one of two pieces commissioned by Monsignor Tiberio Cerasi in September 1600. One of the most famous Christian paintings of the Baroque period, Caravaggio’s The Conversion of Saint Paul or The Conversion on the Way to Damascus depicts the conversion of the famous Christian saint as he fell blinded from his horse on the way to Damascus. Caravaggio’s oil painted rendition of the Conversion of Saint Paul is the epitome of Baroque Art. Caravaggio, The Conversion of St. Paul (also known as The Conversion of Saul), c. 1601, oil on canvas, 230 x 175 cm (Cerasi Chapel, Santa Maria del Popolo, Rome) He placed Paul on his back in a pool of light, just after having been struck from his horse by a divine thunderbolt. Only Baglione mentions that Caravaggio carried out two sets of paintings for the Cerasi Chapel. According to Caravaggio's early biographer Giovanni Baglione, both paintings were rejected by Cerasi, and replaced by the second versions which hang in the chapel today. Please scroll down to read more information about this work. Oil painting on canvas from 1601. Caravaggio treated both themes with extreme austerity and simplicity. Oil painting on canvas from 1601. The Conversion of Saint Paul (or Conversion of Saul), by the Italian painter Caravaggio, is housed in the Odescalchi Balbi Collection of Rome. The Conversion of Saint Paul (or Conversion of Saul), by the Italian painter Caravaggio, is housed in the Odescalchi Balbi Collection of Rome.It is one of at least two paintings by Caravaggio of the same subject, the Conversion of Paul.Another is The Conversion of Saint Paul on the Road to Damascus, in the Cerasi Chapel of Santa Maria del Popolo.. Caravaggio visits the theme of St. Paul’s conversion on the way to Damascus at least twice. This is a Framed, Digital, Linen Canvas Reproduction made using the Finest, High Resolution Printer. In line with Caravaggio’s chiaroscuro style all the figures are engulfed in shadow. The support, the cypress-wood panel required in the contract, is only slightly smaller than the canvas now in place. Elsewhere Paul claims to have seen Christ during a vision, and it is on this basis that he grounds his claim be recognised as an Apostle: "Have I not seen Jesus Christ our Lord?" It is one of at least two paintings by Caravaggio of the same subject, the Conversion of Paul. Caravaggio Print (The Conversion of Saint Paul - Plate F2). CARAVAGGIO (b. 80% off Hand made oil painting reproduction of Conversion of St. Paul, one of the most famous paintings by Caravaggio. The extant painting Conversion of Saint Paul by Caravaggio is a 100% hand-painted oil painting reproduction on canvas painted by one of our professional artists. Contact Us | Terms of Use | Links Caravaggio: The Conversion of St. Paul, c. 1601 The baroque vision is the vision of an age in which the study of physical sciences emerges. The Conversion of St Paul [2] oil on canvas (230 × 175 cm) — c. 1601 Santa Maria del Popolo, Rome Caravaggio biography. The Conversion of Saint Paul ... Caravaggio The Conversion Of Saint Paul Poster Reproduction Giclee Canvas Print. However, Baglione does write that Caravaggio painted the first set in a manner different from his usual style. This work is linked to Acts 9:4. This panel is in the Odescalchi Balbi Collection in Rome. The Conversion of St Paul - Caravaggio - Canvas Art - Oil Paintings for Sale Another is The Conversion of Saint Paul on the Road to Damascus, in the Cerasi Chapel of Santa Maria del Popolo. Many Caravaggio specialists have not felt able to place so crowded and confused a The old bearded soldier, Christ, and the boy angel are familiar Caravaggio models, and the landscape is similar to that in The Sacrifice of Isaac. Caravaggio the Conversion of St. Paul poster. may well have been consciously derived from Michelangelo's Pauline fresco. The painting records the moment when Saul of Tarsus, on his way to Damascus to annihilate the Christian community there, is struck blind by a brilliant light and hears the voice of Christ saying, “Saul, Saul, why persecutest thou me. The accompanying piece is ‘The Crucifixion of Saint Peter’ and they were both completed in 1601. Conversion of St. Paul … It is one of at least two paintings by Caravaggio of the same subject, the Conversion of Paul. Certainly there is no obvious reason for the rejection, and the two second versions which replaced them were, if the surviving first version of the Conversion is a guide, (the first Crucifixion of Peter has disappeared), far more unconventional than the first. He wrote that the first pair was rejected because the donor, Monsignor Cerasi, did not like them (therefore they must have been United with humanism, this leads to an intense interest in the psychology of human beings and the expression of emotional states in all forms of art. Instead, I believe that by giving Christ and the angel visible form Caravaggio meant to imply the voice that Saint Paul heard saying, "Saul, Saul, why persecutest thou me?" Google Classroom Facebook Twitter Baglione had good reason to hate Caravaggio, so his statement may be suspect, particularly when unconfirmed by any other source as close to the scene as he was. In Caravaggio: The Contarelli Chapel and other church commissions The subjects this time were The Conversion of St. Paul and The Crucifixion of St. Peter. composition anywhere in Caravaggio's oeuvre. The original painting is a Portrait oil on canvas. Caravaggio, The Conversion of St. Paul (also known as The Conversion of Saul), c. 1601, oil on canvas, 230 x 175 cm (Cerasi Chapel, Santa Maria del Popolo, Rome). The source of light from the right, as in the final version, would Speakers: Dr. Steven Zucker and Dr. Beth Harris. All Rights Reserved. It is one of at least two paintings by Caravaggio of the same subject, the Conversion of Paul. Caravaggio 1573 – 1610. $20.89. Copyright © 2009-Present www.Caravaggio.org. One of the most famous Christian paintings of the Baroque period, Caravaggio’s The Conversion of Saint Paul or The Conversion on the Way to Damascus depicts the conversion of the famous Christian saint as he fell blinded from his horse on the way to Damascus. The painting, together with a Crucifixion of Saint Peter, was commissioned by Monsignor (later Cardinal) Tiberio Cerasi, Treasurer-General to Pope Clement VIII, in September 1600. Caravaggio depicted Saint Paul at the moment of his conversion, lying on his back with his hands thrown up in … CARAVAGGIO’S CONVERSION OF ST PAUL January 21st 2020 “The Conversion of St Paul”, Caravaggio, 1602, Santa Maria Del Popolo, Rome. I doubt that Caravaggio meant to suggest that anyone actually saw Christ. Caravaggio painted a first version of The Conversion of St. Paul, but, for reasons that remain unclear, he painted also second version of it. The first versions of both pieces were rejected, so Caravaggio was forced to repaint them. Caravaggio biographer Helen Langdon describes the style of Conversion as "an odd blend of Raphael and clumsy rustic realism," but notes how the composition, with its jagged shapes and irrational light which licks out details for their dramatic impact, creates "a sense of crisis and dislocation [in which] Christ disrupts the mundane world.". Caravaggio treated both themes with extreme austerity and simplicity. (I Corinthians 9:1). The Conversion of Saint Paul (or Conversion of Saul), by the Italian painter Caravaggio, is housed in the Odescalchi Balbi Collection of Rome. This new artistic movement of the 1600’s was founded by Caravaggio, who has been renowned as the most important baroque painter in Italy. completed before Cerasi's death in May, 1601). Free shipping. Analysis of Conversion on the way to Damascus Widely regarded as one of the best artists of all time, Caravaggio is famous for introducing a revolutionary style of naturalism, which marked a complete break from Mannerism and outshone even the classicism of Annibale Carracci (1560-1609). The Conversion on the Way to Damascus (Conversione di San Paolo) is a work by Caravaggio, painted in 1601 for the Cerasi Chapel of the church of Santa Maria del Popolo, in Rome. 1701, when it was in Genoa bequeathed by Francesco Maria Balbi, from whose heirs it eventually passed to Prince Odescalchi. the conversion of st.paul by caravaggio. This painting was completed around the year of 1600 and was commissioned by Monsignor Cerasi for the Chapel of Cerasi. We utilize only the finest oil paints and high quality artist-grade canvas to ensure the most vivid color. Finally, whatever questions have been The Conversion of Saint Paul is the second of Caravaggio’s paintings to depict the moment of Saint Paul’s revelation. Christ's arms, extended beseechingly rather than commandingly. The subjects this time were The Conversion of St. Paul and The Crucifixion of St. Peter. The intricately packed composition, which by itself seems so contradictory, is remarkably similar to the tangled left 1571, Caravaggio, d. 1610, Porto Ercole) The Conversion of St. Paul 1600 Oil on cypress wood, 237 x 189 cm Odescalchi Balbi Collection, Rome In 1600 Caravaggio received the commission for two paintings on cypress panel, one (Conversion of St. Paul) for the new chapel in Santa Maria del Popolo. A beam of light shines from the right side of the canvas highlighting St. Matthew and the seated group. conversion of st.paul by caravaggio. The Conversion of Saint Paul (Caravaggio): | | The Conversion of Saint Paul | | | Italian: ... World Heritage Encyclopedia, the aggregation of the largest online encyclopedias available, and the most definitive collection ever assembled. Santa Maria del Popolo, commissioned by Tiberio Cerasi (nephew of Pope Clement VIII's treasurer), Conversion of St. Paul, Crucifixion of St. Peter Conversion of St. Paul Low horizon increases viewers sense of inclusion in this deeply personal moment for Paul. Luckily for Caravaggio he was later given the commission. For other uses, see, Conversion of Saint Paul by Caravaggio (Odescalchi), Conversion of Paul the Apostle (disambiguation), The Conversion of Saint Paul on the Road to Damascus, Portrait of a Courtesan (Fillide Melandroni), Madonna of Loreto (Madonna dei Pellegrini, Pilgrims' Madonna), Madonna and Child with St. Anne (Madonna de Palafrenieri), Portrait of Alof de Wignacourt and his Page, Nativity with St. Francis and St. Lawrence, https://en.wikipedia.org/w/index.php?title=The_Conversion_of_Saint_Paul_(Caravaggio)&oldid=963385335, Creative Commons Attribution-ShareAlike License, This page was last edited on 19 June 2020, at 14:46. The soldier's response could be to only the light flooding over his head and over Created by Beth Harris and Steven Zucker. Saul's body. The vision is described by Saint Paul himself in Acts 22: 5-11 as a great light at midday that struck him blind while he was en route to Damascus to prosecute Christians. 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